The Grand Canyon & Death Valley

In a joint venture with a great cinematographer, we have decided to step our game up when it comes to couple shoots. If we are going to photograph peoples union, it will have to be epic. We both our our heart and soul into other areas of our careers, so why not here. We decided to head to Las Vegas and make the most of the surrounding areas. I hope to provide a commercial feel to this genre.

3-Image stitch from the Fujifilm GFX50S.

3-Image stitch from the Fujifilm GFX50S.

Horseshoe Bend was absolutely stunning when we walked up to it. Mind you, it is a 20-30minute hike in through rock and sand with gear. I am absolutely grateful for LED panels for this reason. As much as I would have loved to use the Profoto B1 here, it would have cause more issues than solve them. With the soft light produced during a cloudy sunset, throwing hard light can be difficult. Check the behind the scenes shot below. I am always grateful to any helping hand when it comes to nailing the shot. Over the years, I’ve learnt that a group effort make a better end product.

It’s a group effort.

It’s a group effort.

Death Valley was next on the list. In hind sight, staying in Las Vegas is not the best idea if you plan on driving hours outside of the city for the natural wonders. Once you arrive, every minutes spent in the car is absolutely worth it. The mountains are one thing, but the scale of it all is what’s amazing to see and work with. During our time here, we tackled the Sand Dunes and Salt Flats within the park.

Blowing sand was a serious issue. I would recommend not to making lens changes.

Blowing sand was a serious issue. I would recommend not to making lens changes.

Stepping way back gives you a grand perspective.

Stepping way back gives you a grand perspective.

3-Image stitch from the Fujifilm GFX50S.

3-Image stitch from the Fujifilm GFX50S.

Missing the sunset is a real concern for us. On the way to this location, I’m sure we set a new land speed record in the Kia we rented. The Salt Flats here in Death Valley is vast and finding the right spot is tough. Luckily, we spotted an off-road path that brought us even closer. 

Dusk and dawn offer beautiful light and colours in the sky. Initially, we shot in the opposite direction, until we turned around and saw the amazing colours produced in the clouds behind us. We instantly changed direction. 

Christian Guzman & Alphalete for Umoro

I had the pleasure of working for Umoro to shoot Christian Guzman's Alphalete collection for the upcoming season release. It was to be a quick and dirty shoot. Gear that day would be the Canon 5D MK3 + 50mm f/1.2 and the Profoto B1 modified with the beauty dish. On this shoot, I was entrusted with creating catalog images and editorial images which would be used for their instagram profiles and web store site.