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Outside Strobin 2: Sarah McDonald

Since being able to use strobe lights outside, it has opened the flood gates to get out of the studio and work mother nature and the concrete jungle to get great photos. Well photos that are nice to me. We set out to the beach to try it again, cause it was way too cold the last time we were at Cherry Beach. It’s a given it will be windy at the beach, and you will see it in the photos. I choose to bring a smaller octabank so it won’t be like a huge sail in the wind. Here’s a photo of the gear used that day.

Sorry for the iPhone photo, I know I had a Canon 5D MKII at my side , but I was gonna instagram it. Ok, I admit it. But for the day it was one light, but I will be balancing it with the sun. I wanted that amazing fill light and with the harsh sun as a back and rim light for our model that day. I learnt the hard way that these moonlights will not be held up on a monopod. This time it will be on a stand, I know its cumbersome but as long as nothing comes crashing to the ground again, I am happy. The soft box, is a 3.5ft octabank by photo flex. This soft box is relatively cheap when comparing em to Elinchome or even the Bowens octabanks. The quality light is amazing. I love my elinchome octas, but at the price that we have to pay for em, i’ll keep them indoors where there is no wind, and the possibility of them being destroyed is minimized. As for the Bowens soft boxes, they feel that the size will give you a soft enough light, but it isn’t, these octas need two levels of baffles, it’s a must. I’m sorry, but i’m a sucker for soft light.

Now that I had the power, I wanted to try and underexpose the background. I know medium format camera can have a greater sync speed so this can be done all day long, but for our dSLRs we have to wait until the evening. I believe you can guess where the light is, but just incase, its off to the left, held in place by Bowen Mei. We fought the wind all day on the beach. It was amazing for her hair but it took its tool on our eyes and on Bowen who had to manage the soft box. It was funny, as we shot, someone was setting up his sail to go parasailing. Editing involved the basics in skin retouching and basic dodging and burning. The use of VSCO for the film events helped bring out the more split-toned effects that I really wanted.

This is a more balanced shot. I can’t wait until it’s much warmer so we can go out every weekend to shoot.

The photo above was shot natural light. We had the evening softness so why not. We moved away from the beach cause the cold would dig deep and freeze you inside out. I know I shouldn’t complain but it doesn’t help make the best photos when everyones suffering.

One of my favorite shots from the shoot. Expression was spot on.

Working in a flare is so hard sometimes when your using glass thats too good. I don’t mean to boast, but sometimes cheap glass is what I want. I love the flares, and love the fringing. I’m sorry that I had to wrap this post up quickly, but I really should go to bed. I will be helping someone move tomorrow, followed by work. All make up was done by our champ, Amanda Blair Roberson. Hope you enjoyed, the post.

Dreams Do Come Through – Nikon 200mm f/2 VR

I have dreamt about this lens for a long time. The first time I saw this lens was way back in one of Joe Mcnally’s instructional videos about using Nikon’s CLS system. I’m a sucker for bokeh and this lens is probably the King, next to the f/1.2 series of glass from Canon. I have wanted this lens for over two years now, but finally I can call a copy mine. I really didn’t think this day would come.

Above is a photo of the lens on a tripod. The front element is massive and unlike any other piece of class that I own. I will not attempt to review this lens here cause I am a user, I do not have any experience with optics and I trust the guys at Nikon to give me my money’s worth. I have tried to find a site or a collection of photos taken with this lens before I purchased it just so I can drool and prepare for when I can use this lens to make my own images. I had the best success by visiting www.flickriver.com and spending hours in the lens explorer page. I found that the photos from Canon’s 200 f/2 demonstrated the best of this kind of zoom and wide aperture combo. From reading reviews and digging for every ounce of information on this lens there are two conclusion. It’s optically sound, with amazing color, contrast, and sharpness and two, it’s really heavy and a little on the hard side to shoot with. This lens is not a lens you would spend all day with and the 70-200 f/2.8 gives you more versatility, but if you can make the sacrifice and destroy your shoulders and forearms, the photos will be extremely rewarding. With the use of tele-convertes, you can have more than one lens in your bag. With a 2x tele, its a 400mm f/4, and a 1.4x tele, its a 280mm f/2.8. Place this lens on a crop frame and you can shoot even further at wide open apertures to combat busy backgrounds.

I haven’t really planned any shoots for this lens specifically yet, but I can’t wait. This lens is never going to stay home. I shot my sister in the beginning when I had my D90 and a SB-600. I owe most of what I know and practice now to her cause she gave me her time to perfect my lighting and really learn my camera. I took her to the park and took couple photos. I didn’t really have much time cause she fell into a group of other children and refused to pose for me after that. I understood and chase some birds, but 200mm on a D700 isn’t a far enough reach so I couldn’t get close enough. I thank her for her time. As you can see, the background is gone, my sister is really sharp and subject isolation is ridiculous.

Just one more.

The real test of this lens and it’s auto-focusing is during a sporting match. Soccar is one of the harder things to shoot where at some time’s you need a 400mm or 200mm depending on where the action is. This shot above was taken at 200mm at f/2. The photo was taken right before twilight where the ambient light was pretty low and I was still amazed that I could shoot. The focusing is bang on, I find it more of a battle to nail the shots when trying to focus on a particular player. Awesome focus on this lens and a monopod is a must to help stabilize the lens. The monopod is a must for this lens where I don’t believe anyone can hand old this lens for more than 5 minutes. It’s like holding 2 70-200 f/2.8 VRs at one mounted on a camera. I use the battery pack filled with 8 AAs to get the 8 fps for sports. All that adds up and I don’t have the best shoulders. A monopod is a must, there is no other way,

One more shot from the soccer game. This one is shot at 400mm at f/4 by way of a tele converter. You can tell cause the background isn’t all creamy bokeh.

A huddle before the second half. This one was shot at f/2.

My friend and number one Make-Up-Artist Amanda Blair Roberson does instructional make up video tutorials. I usually get the chance to shoot the model following the shooting on video. With the massive smooth bokeh from this lens, I was able to shoot this photo on the street and not have any distractions in the background. I brought my diffusers and reflectors out, but a massive cloud came over the area so everything was good. I would usually bring a strobe out of these shoots but I wanted to shoot at f/2 really badly. I’m still waiting on the weather to get better before planning more shoots in front of beautiful sunset backgrounds. The day will come but for now, this photo is one of favorites so far. The sharpness was bang on, so skin editing was a must. Minimal dodging and editing and some contrast and color detailing in this photo.

Last photo of the bunch. I took my camera and lens to shoot the last class of the year for my sisters swimming class. There was no outside close allowed in the pool area so I had to shoot through plexiglass. I was amazed when I uploaded the photos to my computer and viewed the sharpness go these photos. I just wonder what the photos would of looked like if I was allowed in the pool area. I will try this again when she continues her classes in the summer but for now this is one of my favorite photos of her. I could see that she was trying her hardest for this race, she didn’t win, but she was one of the youngest in the class. One of the great things about this lens is that freezing action in low light and indoor settings is no longer a problem. I can comfortably cap my ISO at 1600 or 2000 and be able to capture amazing images. There was a time where my 70-200 was with me everywhere but the times have changed and I now adore this 200mm f/2 monster. Every time I use it, it’s a loosing struggle cause my shoulders are out of commission for a couple days, but I can relax them when editing these colorful and shape photos. The wait is over but now I can’t wait to begin make my own collection of photos made with this beautiful piece of class.

A Quick Panorama

I have a friend whom always invites me to sporting events (I really appreciate it). This time it was to the nose bleeds. Not a bad view of the entire game but, it’s an awesome opportunity to get a panorama of the entire stadium. I didn’t bring a tripod this time, but I really couldn’t anyways cause they would never let me in. Basic rules to follow for this shot, manuel focus, choose a single WB (but that wouldn’t matter cause I was shooting RAW), and a manuel exposure. The photo was processed in Photoshop CS 5.1 with photo merge. Black and white editing was done in Nik SliverFX. Moderate sharpening and lots of contact to get the desired effect.Image

Hope you enjoyed viewing, email me if you have any questions. 

Ryerson Designer Finals: Maegan McWade & Mhairi Treharne

The final designer lines coming out of Ryerson University are always creative and great to see when they are displayed at the Mass Exodus fashion show. This year I had the opportunity to shoot the line put together by Maegan McWade and Mhairi Treharne. Their collection reflects the hard work needed to design and create these amazing dresses from scratch. In the following photos, I tried to reflect the same feel and mood of their collection. The pieces have a classic feeling to them so I went ahead and added a film look to the photos in post-processing. All the photos were shot in the sewing room at the university, some actually contain people still working on their pieces.

Since we will be working indoors for this shoot, flash was a must. That day I brought along with me my Bowens TravelPak batteries just in case there were places that I couldn’t get to an outlet, two octabanks (3.5ft and 5ft), and some medium soft boxes for backup. I remember the days when I would pray for cloudy days for soft light, but those days are over. Hard light can be hard to work with, but it can also be your friend if you use it right. It was a pretty early and lots of light was pouring through the huge windows in the room. Hard light makes for amazing rim light so all I had to do is fill with some soft light and I am happy. In this photo, there is a 3.5ft octabank camera right for her high up and angles down. The flash gave a nice gradient on the wall which added a nice touch. In terms of editing, basic clean up and lots of work for tones. Noise was added in post to simulate the film look, this applies to almost all the photos in this post.

When the set up for this dress was explained to me, I was excited to shoot and make it work. In this photo, the sunlight and windows are coming from camera left. The light was really hash and you can see it was dimpled light, something I would not like to be on the models face. I was combining the sunlight and flash to make this photo. I used the 3.5ft octabank again for this photo. It was key that the model look into the light or in the direction of the flash so there will be a smooth application of light and no harsh shadows will be there. Editing for this photo involved enhanced details and tonal work. As with almost all my photos, dodging and burning is a much to give you the feel of a more three diminutional feel. The dark background was intentional, so that you focus on the model and the dress.

Ladies and gentlemen, this is my absolute favorite photo from this photo shoot. I know sometimes it feels like your being asked to choose your favorite child when it comes to choosing your best photos, but this one wins hands down for me. Everything seems to be right in the photo, but something I really loved was the set-up. This photo was lit with the 5ft octabank because I needed the head to toe coverage of light for the model. The Octabank is placed camera left. Post-processing is the same as the previous photos. Love this one!

In this photo, I tried my best to use the lines to make for an investing photo. The lighting is simple, 5ft octabank camera right. Some say I’m addicted to soft light, and they are right, I love the gradation from highlight to shadow and the way the skin seems to take on a glow when hit with this kind of light. If I had to pick to only use one light shaping tool, it would be the elinchome 5ft octabank, hands down.

This dress has a very 3D look to it from the side, but thats not the point. The designer let me know that when dress sizes are changed, the design also does so as well. In photography and digital files, the same occurs when we render smaller resolutions and when we crop. I loved the idea to this dress. I wanted a pretty much simple background for the photo so up against the red wall allowed the dress and model to be taken in by the viewer. The lighting is pretty simple, octabank camera right and for a rim light, 5ft octa camera left.

This photo is one of my favorites also where there are people still working on their pieces during the photo shoot. It really gives you the feeling that these pieces are all done by hand and designed my students that were using the same machines behind the model. In this photo, I tried to balance the light coming from the strobe (camera left) with the light coming from the sun through the huge windows. As with couple of the photos above, I utilized the window light as rim light to help give the photos a more three diminutional feel. To take this photo, I got low to the ground so the model has a tall feel to us the viewer.

This was a great shoot to be a part of. I really gave me a chance to see and learn about what it takes to design these dresses. Its great to see the place where all the hours are put in. Special thanks to the designers for the invite. Make-up was done by Amanda Blair Roberson and assistant photographer Bowen Mei, thanks for your help and support.

 

Elos Arma at The Mod Club

I shot a live performance not too long ago. I choose to bring two cameras to the shoot, a 5D MKII and Nikon D700. Lens choices were the Nikon 70-200 VR II f/2.8 for the tight shots and Canon 24-70 f/2.8 for the wide and the rest. Lens hoods were fitted as usual to make sure if there was an accident, the likely hood of damage was minimized to spite the tight space in which you have to shoot from during one of these shows.

When shooting shows, I prepare for some high ISO shooting and wide open apertures. I never mind shooting wide open cause I tend to be fond of the lack of DOF and plus, thats why I bought those lenses. Photos were processed in Lightroom and the application of the film effect is provided by Visual Supply Co. You can find these filters for both Lightroom 4 and Adobe Camera Raw at www.visualsupply.co. I will keep the chatter down for this some and share my photos from the night.

Special thanks to Kat Harlton at the Harlton Empire(http://www.facebook.com/HarltonEmpire) for the invite.

One of my favorite shots of the night. There is something I love about the film look that I love. The lack of contrast and addition of noise really helps to get pass the crisp and artificial look of digital. I love sharpness and detail, but sometimes it not needed.

TThanks for viewing.

High Fashion Lingerie

A few weeks ago I was asked to photograph a few pieces of lingerie for a designer student from Ryerson University. I accepted and prepared to for a good challenge where shooting on location always takes some extra work. Usually, when I am asked to shoot on location, I am blind to where exactly I will shooting. I know its bad, where for a shoot, there should be impeccable planning and execution to make sure everything runs smoothly. For this shoot it was more relaxed and I had the time to figure out exactly how I would be lighting the model and the other members of the shoot would be in charge of set up. This shoot began nice and early, with a cloudy day so shooting without any flash was totally in the equation.

I had purchased the huge Bowens 150 octabank, but after the 20 minutes it took to set it up, I just moved it aside and took it off. I have worked with the 5ft octa from Elinchrom for about a year and a half now and it just out performs it. The quality of light coming out of the Bowens light is still to harsh compared to my 5ft Elinchrom to spite being bigger. If i could do it again, I would of not purchased this Bowens soft box, its huge, cumbersome and has no internal diffusion panel. This shot was made with natural light in Aperture Priority with exposure compensation at about +1 to compensate for those bright windows. I decided to shoot it natural light because I got too frustrated with the Bowens octabank and the light falling on here was great as is. There is a gold reflector held off to camera right. For this photo, the editing was kelp to minimal where her skin was pretty smooth and nothing was really managed but the color. I also removed the handle from the window cause I found it quite distracting when looking at the photo.

This is my favorite photo from this shoot. Everything seems to be perfect for me. The girls did a great job organizing the background for her to lay on. I tried for some time to get the angle right where I tried to stand over her but it proved to be almost impossible to get the right shot. I have to remind myself that when I’m shooting someone collection, it’s not so much about the model, but it’s about the attire. The problem with standing over the subject is that you are fighting to keep yourself out of the photo, aka my feet and pants. At the same time, your trying to not use a too wide angle because distortion will reek havoc on someone face and natural shape. I am 6 feet 2 inches, and I still had a hard time with 24mm-70mm f/2.8 lens on a full frame camera. So, I decided to find a suitable angle on the side of her. It worked out well, I’m satisfied. To do a shot like this from directly above, I would need a cherry picker and a lot more space.

I guess you can tell that this photo is light with flash. Even if you didn’t guess, it is. I said how i gave up on the Bowens octa right at the beginning of the shoot and vouched for my faithful Elinchrom 5ft octa. One of the reasons the 5ft worked is because it a little smaller and I honestly don’t think I have ever made a bad picture with that light shaping tool. So, for this photo, I boomed the octa directly above her and angled it slightly so give me a little more shadows on one side. It was a pretty simple light set-up, but you do need to make use of a pretty expensive stand. I used a sandbagged C-Stand to help me achieve this shot safely. Since using this stand, it is now a reality to boom lights and really fine-tune light set ups. Editing consisted of skin softening, a small amount of blemish clean up, and some dodging and burning.

I enjoyed the set-up so much I snuck in a quick headshot. This shot was taken by standing above her. I apologize if my feet had any odors that day, but I really hope not, considering I was freshly showered, but you never know. If they did, I’m sorry Meagan. I loved the background, so i wanted to make one photo of her makeup and hair here. This will not be the last time I shoot over someone, where it really does look nice. I took this perspective from Jeremy Cowart where he explained doing one of these photos at the beginning of his first class for Kelby Training. As soon as I saw his results, I knew I would have to try it one day. The light set-up for this photo is the same as the above photo, a single octa boomed above the model and me shooting down on her. Again, slight editing, where skin, eyes and background clean up was applied, and as always, dodging and burning.

This shot was done with natural light at a nice wide open aperture of f/1.6. She was for the most part very close to the wall behind her, but I still wanted some kind of separation. I achieved it with such an aperture, but one thing i failed to see is that the garment has been rendered out of focus slightly. I did shoot one of these with flash, but this photo is my favorite of the bunch, for the most part because of the expression and the slight separation I get from the background. There was plenty of light that morning so I drive my ISO down to get a nice clean shot. For this photo I retouched skin, but I think I skipped out on dodging and burning to keep a flat look. I will probably go back and warm this photo up a little more.

So these were my favorite shots form that day. I want to thank everyone who helped that day sincerely, as always, a shoot is a team effort.

Hope you enjoyed the collection, Cheers.

 

Strobing Outside

For the longest time, I have been waiting to purchase and try shooting outside with the power of strobes. I wanted to do my best to balance the ambient light with flash to give that separation from the background that we see mostly in advertising and lifestyle shoots. I finally bought a battery pack from Bowens and a set of 400w/s monolights. I would of attempted it with speed lights, but its just not enough power. I own 3 speed lights, but there are a series of problems when using them outside in the bright sun. One of the major problems besides from the lack of power, is that they will not trigger with CLS. I have one SB-900 and two SB-600, if they all had optical slave mode, I would be ok, but only the SB-900 can use both a pocket wizard or optical slave. So, I closed my eyes as I traded funds for the battery pack and Bowens 400/400 kit.

This is one of the first images I took at the beginning of the shoot. Its currently winter in Toronto, Canada and the sun is something of an anomaly during these cold months. I kept a close eye on the weather for couple of days and prayed that there will be a minimum number of clouds and that the sun would shine down, give us some hard light. The shoot began around 11am and finished with the sun fell behind the clouds again. I am a sucker for soft light with some hard sun light I could create my own soft light with the power of the strobe in a small octa and use the sun to light the background and to backlight my subject. In this photo, I had the octa camera left feathered on the models face. I like the soft kick of light to help fill the models face and keep away from the harsh shadows we would see. With some flash, we can also retain the background.

I loved how the sun looked behind the model so I took the chance to get in close and get some portraits. I used one light the entire time for this shoot. Dragging around a 30lbs battery along with a pretty monolight isn’t easy so I tried to pack as light as I could. I had my brother and MUA/BFF Amanda Blair Roberson help me out that day to move this gear. I thank them from the bottom of my heart. None of this can be possible with out them. These photos have a minimal amount of editing on them, just basic blemish removal and raw processing. There is slight skin softening in a select few. And as always some dodging and burning to help exaggerate and contour certain features.

This was the first time trying this so I tried to do as many shots as I could in the time I had with the model. I wanted a fun walking shot with her. I will admit its not my best framing in terms of selecting a phenomenal background but I was happy to have this photo. She was smiling and laughing from a joke made by her boyfriend. I know that Front was under construction, but I couldn’t pass up shooting this block because the entire RBC building acted like a high gold reflector illuminating the entire block. People walking by all had fill light, top to bottom. You can see the gold reflection on the ground and on the buildings behind her. For this shot, I had her walk and and asked her to freeze in position. It worked incredibly well. My lens was having some difficulty focusing with the sun directly to camera left just out of frame so continuous focusing was out of the question. I think you can tell by now, but fill light camera right with the strobe at almost full power.

Something that I could of done is shoot at a wider aperture, but it was also out of the question. The ISO was already down to 50 and opening up would mean upping the shutter speed. I cannot sync the flash at a high speed than 1/200th/sec so the only choice would be to use an ND filter. I wish I had one on me, but it was in another camera bag being useless. I do like the massive DOF you get with this flash in the photo. Used properly, its amazing. I have a photo coming up like that.

This is my winner of the day. 50milli, nice star from the sun and I’m happy with the light. I’ll tell you what I had to do for this photo. I held my breath, and dropped the shutter speed really low to about 1/20th of a second. I had to hurry with this photo cause security was eyeing us from inside the building. The street wasn’t exactly abandoned so I rushed this one out. Minimal editing for this photo. All I did was shoot in the shade white balance to get a nice warm look for the photo. Some dodge and burning and slight sharpening to mask some of the blur caused by my choice of shutter speed. The photo has a girl on the town feel to it, so I’m super happy with the end product.

When the weather gets better, I will be shooting outside as much as I can with this type of set up more and more. Shooting in studio is fine, the control and lack of problems is nice, but location shooting is so much more fun and awarding. Toronto is a hard place to shoot in the winter, mostly because of the pain of the cold and type of light we get in the winter. We do have epic sunsets and sunrises but not this morning was perfect. I couldn’t of wished for a better day to shoot.

Thank you to everyone involved in this shoot, with out you guys, these images would still be in my to-do list.

Fun Headshot

First of all, I’m going to apologize for not writing anything in such a long time. I work part-time sales at Henrys, Canada’s largest digital camera retailer and this time of year it gets very busy. As I mentioned, I work part-time usually but for this season I was there full-time. When you work open to close and 8 hour shifts, there is little time left for fun. It’s over now, so it’s time to get back to work photographically. Not that I still didn’t do any photo work, but all I can say is that it is hard, short nights of sleep due to meeting editing deadlines.

I had the opportunity of shooting J.Reyez, a Korean rapper from our city Toronto in studio over the holidays. This shoot involved shooting both him and his closest friends and colleagues. The series of photos I post in this note are just some fun headshots that I suggested after all the serious work was done. After asking, they all agreed almost instantly. I wanted to create a series of headshots that are as identical in lighting as I could. Along with lighting, I wanted the composition to be as close as possible to each other. I thought to place the camera on a tripod but that wasn’t going to work cause all the subjects were different heights, so I had no choice but to stand my ground, not move. I made sure each one of the subjects would stand in the same place when taking the photo. Just so they were the exact distance from the three light set up every single time.

I light all of these photos with the same light set-up. Beauty dish in front high up and one strip bank camera left and 5 foot octabank on the right. I really need to buy another strip bank cause the octa isn’t harsh enough for rim light . The only thing I wished I had that day was my silver reflector, but someone had it at home. I won’t mention who, but i’m not mad. A little bit of shadow for they guys is no problem, but for the girl it would of been nice. When wanting to edit these photos in this fashion, you want your subjects wrapped in light. Something i am trying to do is extract as much as detail possible from these photos. Kelvin Hollywood teaches some really nice techniques for doing so, and it works. In our digital RAWs, there is so much untouched information that just needs a little possessing to being it out. You can find his tutorials on KelbyTraining.com. This is the only website I subscribe to to learn from, but one i’m looking into is lynda.com just cause Chris Orwig is an amazing teacher.

I think you can tell that the backgrounds are done in post. Especially from the photo above where a dark background and dark hair spells disaster when it comes to making. I did the best I could ok. Haha. I love shooting on dark grey because it makes it easy to change the color and do what you want in the background. I also add a hot spot behind the subject for some added interest and give it that animated look. I think these photo would look amazing if printed, but I do feel sorry for the printers.

For this photo I choose purple because it matches his shirt and the shades. I know I kind of did it twice, but I like it. For cleanup, i removed the major blemishes, softened the skin a little bit for the guys, where its the same process, but at 50% opacity compared for women where its about 75%-85% deepening on the skin type. What really adds pop to any photo is the attention placed to dodging and burning. For dodging and burning, I do it on a separate 50% grey filled layer. I move between small details to the big shadows and highlights. I spend a lot of my time dodging and burning on the face to even out the light and amplifying the unique features of each subjects face.

Something I was though by Kelvin in his tutorial is place a layer at the end of editing over the entire photo filled with the color of the background. It helps tie the whole photo together by adding a slight tint to the photo in favor of the background. Mind you it’s something slight. This solid fill layer is the color of the background, but it’s at an opacity of 3%-5%. Not much, but it really does help. In this these photos I don’t do much sharpening because I apply a noise reduction on the entire photo to give a more painting look. One thing I will say is that I spend more time editing each one of these photos than the 1/125th of a second it took to make em.

The End of Occupy Toronto

For a change, I was up early the day the Police decided enough is enough with the occupation of St. James Park in Toronto. After seeing this on the news, I decided to head downtown and see if I can grab a first hand account of what is going on. Protesters said that they will go peacefully, and they did. There was no violence at this tear down. The news claimed that tensions escalated, but I was there and other than some paused voices, there was no pushing or shoving. I arrived down at St. James park around 2 PM, and stayed until they disassembled the last structure.

After entering the park, you notice the massive clean up efforts of the city staff. The people of Occupy Toronto were mostly localized in the last two strongholds, the gazebo and a small hut they had build which was chained from the outside, with protesters still inside. I had arrived the the park technically late because there efforts to clean up the park had begun earlier that morning at around 8 AM.

Protester packing up what I can assume is his own belongings, otherwise it would placed in the trash along with what else was left behind by the occupiers.

The occupiers held up in the massive gazebo in the centre of the park. They kept their sprits up by chanting and playing drums. There was a massive police line going around the entire gazebo so you had to shoot from a pretty far distance. I had taken the train down cause I think it would of been impossible to drive down there with all this action. I managed to grab these shots with my 70-200 f/2.8 VRII and a 2x teleconverter on my D700. I wondered for a minute if I should mount these combo on my D300s or D700 because I would be able to get even more magnification from the cropped sensor. I decided against the magnification because the sun was setting soon, and pushing ISO was going to become a problem soon enough. The park wasn’t the best place to change lenses either.

With a tele on the 70-200 and with the size of the D700 sensor, I had 400mm at my disposal, but at the sacrifice of f-stop. The tele converter doubles everything so I’m stuck at f/5.6. That is why I mounted that combo on my D700, because at around 3 PM, I was pushing ISO 1000 to make sure when I take the shot, it will be sharp and free from blur. Most of the shots here were at a shutter speed of 1/125 sec. I left my 24-70 on my D300s where f/2.8 would allow me to keep my ISO around 800.

This is the police line around the gazebo. This line was not to be crossed for any reason. I did not test it, but a home less gentleman did and he was quickly kept out. Inside the gazebo were the remaining protesters, one photographer, and the negotiater for the police. As you can see, the ground is nothing but mud, there was no grass to be found. More than once I almost fell running around trying to get shots of what was going on. This photo was taken with the D300s and the Nikon 24-70 lens.

The Police negotiator finalizing the eviction of the gazebo.

As they emptied the gazebo, some protesters kept their spirits ups by chanting and playing drums. These shots were taken with the 70-200 plus a 2x tele. Because of the police line, we all had to stand way back. I really wanted to capture the emotion of the protesters, and the only way to do zoo is to get in really close.

It was cold and raining the night before. If you weren’t wearing come heavy boots, you would be out of luck, like I was. I almost fell numerous times and my feet were freezing after about two hours. Things got a little exciting after the fall of the gazebo so the pain went away pretty quickly.

A camp behind the gazebo.

This protester was the sole defender of the last stronghold. Scary character but he did his best to keep the protest peaceful and safe for everyone. Inside the structure he was standing on were couple more protesters chained inside. The key was never given up so the police cut the lock and continued to dismantle the structure.

Two other protesters held up inside the structure. Incredibly hard to get this shot cause it was a tight huddle of photographers and guys with huge video cameras, and on top of that there was a tight police line.

For these tight shots you honestly have to wait for a parting in the crowd. I’m a little lucky then it comes to shooting in a crowd because I tend to be a little bit taller than everyone else there, well not everyone but the majority. A little bit of high allows me to clear most of the heads in front of me, but not everyone. I begin with choosing my subject and keeping them in my signs through the lens until I see an opportunity to grab the photo I want. That day I had 8fps with me, I don’t even this it was enough because someone always manages to get in the photo. I rely on the bokeh to help viewers concentrate on the subject at hand. In post-production i add a little more contrast to the subject so they stand out, even if they are in a pool of bokeh.

The police making their way into the last standing structure from Occupy Toronto. Most of these shots were taken blindly by holding the camera up and putting the camera on continuous focus. That way the camera focuses on anything in the centre or around that area thats moving. Spray and pray tactics.

I can only guess that this woman is a protester. This photo was taken following the fall of the last structure. The only thing I wish I did physically was bend down and take this one from a lower angle. It would of helped to isolate her more.

This is just a photo of something I never knew existed. Three tour busses filled with policemen and women are a lot of police for anything. There is no shortage of security. Below are some photos of EMS and police officers from the days event, along with some randoms. Thanks for taking a look.

* I do not watermark my photos because i feel that is ridiculously tacky and ruins any pleasure a view would receive from viewing any of my images. For the purpose of conserving all elements of the photo, I do not watermark. These photos are my property, if you would like to use them again elsewhere, please email my first at baldeot@gmail.com.

Performer: Mark Hwang

Mark is a Korean Hip-Hop artist and a friend of mine from high school. Back when I was just starting out, particularly with flash, he was the first entertainer I shot. I remember it as if it was yesterday. We picked a warm humid night and shot in a midtown ally and on a track field. My light shaping tools were limited to umbrellas and a DIY beauty dish. I had the help of an old friend Joon on this shoot, something I would recommend when shooting on location. I had the chance of shooting him again earlier this month, this time in studio and with soft boxes and a real beauty dish.

I had asked Mark to bring his favourite pieces of cloths to the shoot and he brought a great red jacket which looked amazing when light. I shot Mark on grey, that way i can change the colour of the background in post processing fairly easily. I am not going to say it’s always easy to make out the background, but it really depends on the colour of the subjects clothing, props, and how evenly light the background is. If he was wearing a grey jacket, it would be game over, it would take me a good hour to create a believable mask.

Lighting for this photo is fairly simple. There is a 5ft octabank boomed above the subject, camera right is a 4 foot strip bank and on the left there is a 2ft x 2ft soft box, with a 1.3m one stop diffuser in front go it to make it a little less harsh. The only thing I wish I could of added to the lighting would of been a reflector under the arms of Mark to get some light on the lower part of his face. I asked him to hold his notebook which he uses to write down new songs. Props make a huge difference when it comes to having you subject relax and it makes a more complete photo with a story behind it.

A straight on portrait of Mark. This one is light with one light, octa alone with a reflector under the chin.

Lastly, I took couple shots of his hands and him flipping through his notebook. One thing that has been repeated in many of the photo books that I have read is that hands and feel tell a lot about a person, especially when it comes to people who work, both physically and mentally. I shot this photo with only rim lights, bring out some drama. Mark was a great subject, I’ll sneak you a photo here of my light setup.

 

 

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