Piret - Executive PORTRAITS

Portrait, to me, are incredibly important. They stand as a bookmark in time either illustrating an achievement or notable event. When it comes to executive portraits, it’s more of a note of seniority. Preparing before a shoot and asking all the right questions really comes into play here. One question that really helps me understand a client need is where will the photo be used. I was informed that it would be used for a website initially but probed a bit. I would find out that most of the executives do a bit of speaking. With the right answers, I know we will not only deliverer tight headshots, but half poses as well. I’ve worked with designers before, and they all appreciate a bit of negative space.

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Photographing people is what makes up most of my work. Getting to know someone with very little lead time is a skill. Not one that I’ve perfected but I do try to improve from one client to the next. One of the most important goals when doing a session is to get my client comfortable. I can’t really give tips here, but I’ll I can offer up is to be genuine. Be yourself and have a game plan. It’s completely possible to drive a conversation while directing your client to get the most natural expression and visually pleasing pose.

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Portrait work has been a part of your work since the beginning. Your client will not always open up to you from the beginning. You will have to do some work here as well, unless they are either a dancer or done theatre. Believe me, I’ve lucked out where some clients have taken charge of the shoots before.

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Something new in the kit

With a vast investment in gear behind me, I took a break from buying more lenses and cameras for a good amount of time. In my series of work, my weeks are spent shooting events and portraits. The Sigma 85mm f/1.4 DG HSM Art seemed like the perfect fit. Not only would it allows me to put down my Nikon 70-200mm f/2.8 VR, but make shooting long events less painful. 

IG: @vinnierehab

IG: @vinnierehab

There is a lack of talk when it comes to the ergonomics of shooting and carrying gear. Every pound on you and in your hand adds up when it comes to 8 hour days, even 4 hour shoots. I am not saying, the Sigma 85mm f/1.4 DG HSM Art is a light lens, but it weighs less than the Nikon 70-200mm f/2.8 VR and most of the times, I can get physically closer to make 85mm work. After spending a week with the Sigma 85mm f/1.4 DG HSM Art, it is a definite keeper. The Nikon 70-200mm f/2.8 VR doesn't even leave my camera bag, although there is a place and time for it.  

Shot for the Empire Club of Canada. The Honourable Bill Morneau, Minister of Finance. 

Shot for the Empire Club of Canada. The Honourable Bill Morneau, Minister of Finance. 

I used the Sigma 85mm f/1.4 DG HSM Art both in studio and on location.The lens is unbelievably sharp at f/1.4, but the sweet spot is f/2.0. This is my opinion, I haven't seen something this sharp since owning the Nikon 200mm f/2.0 VRI. If you would like to check out the rating, its has taken the top marks from DXOmark.

Sigma 85mm f/1.4 DG HSM Art headshot

It has been a while since investing in a new lens, it brings me true excitement and wonder all over again. I know spending money and owning new things shouldn't be a reason to shoot more, but it's been so long. This is me convincing myself. Usually there's buyers remorse with gear, but after the first couple of shots, there is no doubt this lens will not become part of my arsenal. I look forward to leaving the 70-200mm in the bag, and moving to this lens as a lighter option.

IG: @vinnierehab

IG: @vinnierehab

Minimizing pain during a gig is paramount for me, because if you're not comfortable, there is no way you can preform your best. I know this from years of shoulder & back pain which adds up at the end of long shoots. This year, I have invested in supportive gear to help make sure pain in minimized. We all deserve a pain free career.

IG: @vinnierehab

IG: @vinnierehab