A special thanks to all the people I’ve worked with on this project. We’ve had our share of 14-hour days and problem solved the entire time to create something beautiful.

This shoot might go down as the most beautiful of the year. It marks the first time shooting on anamorphic and surprisingly, one of our most flexible lighting set ups. Somehow, we made a super cloudy day work. The most powerful light we had on set was the Aputure 600D which was plenty to fake the sun. From here we went with super soft fill for shadow. One thing about working in a beautiful space is that we don’t have to make heavy shadows to hide anything. Being able to flood a space with light was a welcomed change.